Race Furniture was founded immediately after the Second World War, under the design direction of Ernest Race who before the war had earned a strong reputation for textile and interior design.
Like many designers of the post-war era, Race was inspired by new technologies and materials that had been developed
during the War. Furthermore, under the Government’s ‘utility furniture scheme, companies were encouraged to work with alternative materials in order to preserve the country’s limited reserves of timber and other scarce commodities. His first design for Race Furniture, the BA3 chair, utilised re-cast aluminium from redundant British warplanes. The upholstery was often made from parachute silk.
Over the next 15 years, from 1945 to 1960, the company was responsible for producing some of the most iconic designs of the post-war era. In stark contrast to the dreary backdrop of postwar austerity, Race’s designs were characterised by a playful use of modern materials and animated form. Many of his designs were named after exotic animals: Flamingo, Heron, Roebuck and Springbok appeared side-by-side in the new modern home.
Recognition of Race’s design genius culminated in his designs for the 1951 ‘Festival of Britain’ terrace furniture. The Antelope terrace chair is still recognised as one of the defining designs of the 1950’s, heralding a new optimism commonly known as the ‘New Elizabethanism’.
In 1955, Race won Gold and Silver medals at the Salone di Milano, International Furniture Fair for the BA3 and Antelope
chairs – a first for British furniture design. Ernest Race designs are collected worldwide and are featured in the museum
collections of the Victoria and Albert Museum, London and the Museum of Modern Art, New York.
Today Race Furniture is enormously proud to continue production of these significant designs. Using archive material, it
carefully ensures they are manufactured as originally intended, using time-served expertise, which has been handed down to the present generation.